| 2019 |
Austin Film Critics Association |
Nominee AFCA Award |
Best Score (Geoff Barrow, Ben Salisbury) |
| 2019 |
Austin Film Critics Association |
Nominee AFCA Award |
Best Motion Capture/Special Effects Performance (Sonoya Mizuno) |
| 2019 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Visual Effects (Sara Bennett, Richard Clarke, Simon Hughes, Andrew Whitehurst) |
| 2019 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Sci-Fi/Horror Movie |
| 2019 |
Chicago Independent Film Critics Circle Awards |
Nominee CIFCC Award |
Best Studio Film |
| 2019 |
Chicago Independent Film Critics Circle Awards |
Nominee CIFCC Award |
Best Production Design (Mark Digby, Michelle Day) |
| 2019 |
Chicago Independent Film Critics Circle Awards |
Nominee CIFCC Award |
Best Original Score (Geoff Barrow, Ben Salisbury) |
| 2019 |
Chicago Independent Film Critics Circle Awards |
Nominee CIFCC Award |
Best Visual Effects (Richard Clarke, Simon Hughes, Andrew Whitehurst, Sara Bennett) |
| 2019 |
CinEuphoria Awards |
Nominee CinEuphoria |
Best Trailer - International Competition |
| 2019 |
CinEuphoria Awards |
Nominee CinEuphoria |
Best Poster - International Competition |
| 2019 |
CinEuphoria Awards |
Nominee CinEuphoria |
Best Costume Design - International Competition (Sammy Sheldon) |
| 2019 |
CinEuphoria Awards |
Nominee CinEuphoria |
Best Sound/Sound Efects - International Competition |
| 2019 |
CinEuphoria Awards |
Nominee CinEuphoria |
Best Original Music - International Competition (Geoff Barrow, Ben Salisbury) |
| 2019 |
CinEuphoria Awards |
Nominee CinEuphoria |
Best Cinematography - International Competition (Rob Hardy) |
| 2019 |
CinEuphoria Awards |
Nominee CinEuphoria |
Best Editing - International Competition (Barney Pilling) |
| 2019 |
CinEuphoria Awards |
Nominee CinEuphoria |
Best Screenplay - International Competition (Alex Garland) |
| 2019 |
Columbus Film Critics Association |
Nominee COFCA Award |
Actor of the Year (for an exemplary body of work) (Tessa Thompson, Creed II, Sorry to Bother You) |
| 2019 |
Faro Island Film Festival |
Nominee Golden Carp Film Award - International |
Best Screenplay (Jeff VanderMeer, Alex Garland) |
| 2019 |
Faro Island Film Festival |
Nominee Golden Carp Film Award - International |
Best Cinematography (Rob Hardy) |
| 2019 |
Faro Island Film Festival |
Nominee Golden Carp Film Award - International |
Best Visual And Sound Effects |
| 2019 |
Faro Island Film Festival |
Nominee Golden Carp Film Award - International |
Favorite Actress (Natalie Portman) |
| 2019 |
Georgia Film Critics Association (GAFCA) |
Nominee GAFCA Award |
Best Original Score (Geoff Barrow, Ben Salisbury) |
| 2019 |
Gold Derby Awards |
Nominee Gold Derby Award |
Visual Effects (Hayley J. Williams, David j Watson, Sara Bennett, Richard Clarke, Nicolas Hernandez, Simon Hughes, Andrew Whitehurst) |
| 2019 |
Hawaii Film Critics Society |
Nominee HFCS Award |
Best Sci-Fi/Horror Film |
| 2019 |
Hugo Awards |
Nominee Hugo |
Best Dramatic Presentation - Long Form (Alex Garland, Jeff VanderMeer) |
| 2019 |
International Cinephile Society Awards |
Nominee ICS Award |
Best Original Score (Geoff Barrow, Ben Salisbury) |
| 2019 |
International Online Cinema Awards (INOCA) |
Nominee INOCA |
Best Original Score (Geoff Barrow, Ben Salisbury) |
| 2019 |
International Online Cinema Awards (INOCA) |
Nominee INOCA |
Best Sound Mixing (Ian Tapp, Niv Adiri, Mitch Low) |
| 2019 |
International Online Cinema Awards (INOCA) |
Nominee INOCA |
Best Sound Editing (Glenn Freemantle) |
| 2019 |
International Online Cinema Awards (INOCA) |
Nominee INOCA |
Best Visual Effects (Sara Bennett, Richard Clarke, Simon Hughes, Andrew Whitehurst) |
| 2019 |
North Carolina Film Critics Association |
Nominee NCFCA Award |
Best Music (Geoff Barrow, Ben Salisbury) |
| 2019 |
Online Film Critics Society Awards |
Nominee OFCS Award |
Best Picture |
| 2018 |
Bram Stoker Awards |
Nominee Bram Stoker Award |
Screenplay (Alex Garland) |
| 2018 |
Chicago Film Critics Association Awards |
Nominee CFCA Award |
Best Art Direction/Production Design |
| 2018 |
Florida Film Critics Circle Awards |
Nominee FFCC Award |
Best Art Direction/Production Design |
| 2018 |
Florida Film Critics Circle Awards |
Nominee FFCC Award |
Best Score (Ben Salisbury, Geoff Barrow) |
| 2018 |
Fright Meter Awards |
Nominee Fright Meter Award |
Best Screenplay (Alex Garland) |
| 2018 |
Fright Meter Awards |
Nominee Fright Meter Award |
Best Cinematography (Rob Hardy) |
| 2018 |
Fright Meter Awards |
Nominee Fright Meter Award |
Best Score (Ben Salisbury, Geoff Barrow) |
| 2018 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Horror Movie of the Year |
| 2018 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Sci-Fi Movie of the Year |
| 2018 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Special Effects of the Year |
| 2018 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Most Memorable Scene in a Movie |
| 2018 |
Indiana Film Journalists Association, US |
Nominee IFJA Award |
Best Actress (Natalie Portman) |
| 2018 |
International Online Cinema Awards (INOCA) |
Nominee Halfway Award |
Best Picture |
| 2018 |
International Online Cinema Awards (INOCA) |
Nominee Halfway Award |
Best Adapted Screenplay (Alex Garland) |
| 2018 |
International Online Cinema Awards (INOCA) |
Nominee Halfway Award |
Best Film Editing (Barney Pilling) |
| 2018 |
International Online Cinema Awards (INOCA) |
Nominee Halfway Award |
Best Production Design (Mark Digby) |
| 2018 |
International Online Cinema Awards (INOCA) |
Nominee Halfway Award |
Best Original Score (Geoff Barrow, Ben Salisbury) |
| 2018 |
International Online Cinema Awards (INOCA) |
Nominee Halfway Award |
Best Sound Mixing (Ian Tapp, Niv Adiri, Mitch Low) |
| 2018 |
International Online Cinema Awards (INOCA) |
Nominee Halfway Award |
Best Sound Editing (Glenn Freemantle) |
| 2018 |
International Online Cinema Awards (INOCA) |
Nominee Halfway Award |
Best Visual Effects |
| 2018 |
Los Angeles Online Film Critics Society Awards |
Nominee LAOFCS Award |
Best Sci-Fi/Horror Film |
| 2018 |
Odyssey Awards |
Nominee Odyssey Award |
Best Support Actress (Tessa Thompson) |
| 2018 |
Online Association of Female Film Critics |
Nominee OAFFC Award |
Best Acting Ensemble |
| 2018 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Visual Effects |
| 2018 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Score (Geoff Barrow, Ben Salisbury) |
| 2018 |
Utah Film Critics Association Awards |
Nominee UFCA Award |
Best Cinematography (Rob Hardy) |
