| 2020 |
Austin Film Critics Association |
Nominee AFCA Award |
Best Movie of the Decade |
| 2020 |
Gold Derby Awards |
Nominee Gold Derby Award |
Lead Actress of the Decade (Amy Adams) |
| 2020 |
Gold Derby Awards |
Nominee Gold Derby Award |
Adapted Screenplay of the Decade (Eric Heisserer) |
| 2020 |
Gold Derby Awards |
Nominee Gold Derby Award |
Original Score of the Decade (Jóhann Jóhannsson) |
| 2020 |
Gold Derby Awards |
Nominee Gold Derby Award |
Sound of the Decade (Claude La Haye, Bernard Gariépy Strobl, Sylvain Bellemare) |
| 2018 |
Grammy Awards |
Nominee Grammy |
Best Score Soundtrack for Visual Media (Jóhann Jóhannsson) |
| 2017 |
AACTA International Awards |
Nominee AACTA International Award |
Best Film |
| 2017 |
AACTA International Awards |
Nominee AACTA International Award |
Best Direction (Denis Villeneuve) |
| 2017 |
AACTA International Awards |
Nominee AACTA International Award |
Best Lead Actress (Amy Adams) |
| 2017 |
AARP Movies for Grownups Awards |
Nominee Movies for Grownups Award |
Best Movie for Grownups |
| 2017 |
Academy Awards, USA |
Nominee Oscar |
Best Motion Picture of the Year (Shawn Levy, Dan Levine, Aaron Ryder, David Linde) |
| 2017 |
Academy Awards, USA |
Nominee Oscar |
Best Achievement in Directing (Denis Villeneuve) |
| 2017 |
Academy Awards, USA |
Nominee Oscar |
Best Adapted Screenplay (Eric Heisserer) |
| 2017 |
Academy Awards, USA |
Nominee Oscar |
Best Achievement in Cinematography (Bradford Young) |
| 2017 |
Academy Awards, USA |
Nominee Oscar |
Best Achievement in Film Editing (Joe Walker) |
| 2017 |
Academy Awards, USA |
Nominee Oscar |
Best Achievement in Sound Mixing (Bernard Gariépy Strobl, Claude La Haye) |
| 2017 |
Academy Awards, USA |
Nominee Oscar |
Best Achievement in Production Design (Patrice Vermette, Paul Hotte) |
| 2017 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Science Fiction Film |
| 2017 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Director (Denis Villeneuve) |
| 2017 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Actress (Amy Adams) |
| 2017 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Editing (Joe Walker) |
| 2017 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Special Effects (Louis Morin, Ryal Cosgrove) |
| 2017 |
Alliance of Women Film Journalists |
Nominee EDA Award |
Best Picture |
| 2017 |
Alliance of Women Film Journalists |
Nominee EDA Award |
Best Director (Denis Villeneuve) |
| 2017 |
Alliance of Women Film Journalists |
Nominee EDA Award |
Best Writing, Adapted Screenplay (Eric Heisserer) |
| 2017 |
Alliance of Women Film Journalists |
Nominee EDA Award |
Best Actress (Amy Adams) |
| 2017 |
Alliance of Women Film Journalists |
Nominee EDA Award |
Best Cinematography (Bradford Young) |
| 2017 |
Alliance of Women Film Journalists |
Nominee EDA Award |
Best Film Editing (Joe Walker) |
| 2017 |
Amanda Awards, Norway |
Nominee Amanda |
Best Foreign Feature Film (Årets utenlandske spillefilm) (Denis Villeneuve) |
| 2017 |
American Society of Cinematographers, USA |
Nominee ASC Award |
Outstanding Achievement in Cinematography in Theatrical Releases (Bradford Young) |
| 2017 |
Art Directors Guild |
Nominee Excellence in Production Design Award |
Fantasy Film (Patrice Vermette, Isabelle Guay, Jean-Pierre Paquet, Robert Parle, Aaron Morrison, Carl Lessard, Martine Bertrand, Sam Hudecki, Jean Gagnon, Simon Guilbault, Meinert Hansen, Paul Hotte) |
| 2017 |
ASCAP Film and Television Music Awards |
Nominee ASCAP Composers' Choice Award |
Film Score of the Year (Jóhann Jóhannsson) |
| 2017 |
BAFTA Awards |
Nominee BAFTA Film Award |
Best Film (Dan Levine, Shawn Levy, David Linde, Aaron Ryder) |
| 2017 |
BAFTA Awards |
Nominee BAFTA Film Award |
Best Leading Actress (Amy Adams) |
| 2017 |
BAFTA Awards |
Nominee BAFTA Film Award |
Best Screenplay (Adapted) (Eric Heisserer) |
| 2017 |
BAFTA Awards |
Nominee BAFTA Film Award |
Best Cinematography (Bradford Young) |
| 2017 |
BAFTA Awards |
Nominee BAFTA Film Award |
Best Editing (Joe Walker) |
| 2017 |
BAFTA Awards |
Nominee BAFTA Film Award |
Original Music (Jóhann Jóhannsson) |
| 2017 |
BAFTA Awards |
Nominee BAFTA Film Award |
Best Achievement in Special Visual Effects (Louis Morin) |
| 2017 |
BAFTA Awards |
Nominee David Lean Award for Direction |
(Denis Villeneuve) |
| 2017 |
Bodil Awards |
Nominee Bodil |
Best American Film (Bedste amerikanske film) (Denis Villeneuve) |
| 2017 |
Casting Society of America, USA |
Nominee Artios Award |
Outstanding Achievement in Casting - Big Budget Feature - Drama (Francine Maisler, Lucie Robitaille) |
| 2017 |
Central Ohio Film Critics Association |
Nominee COFCA Award |
Best Director (Denis Villeneuve) |
| 2017 |
Central Ohio Film Critics Association |
Nominee COFCA Award |
Best Actress (Amy Adams) |
| 2017 |
Central Ohio Film Critics Association |
Nominee COFCA Award |
Actor of the Year (Amy Adams, Batman v Superman: Dawn of Justice, Nocturnal Animals) |
| 2017 |
Central Ohio Film Critics Association |
Nominee COFCA Award |
Best Cinematography (Bradford Young) |
| 2017 |
Central Ohio Film Critics Association |
Nominee COFCA Award |
Best Film Editing (Joe Walker) |
| 2017 |
Central Ohio Film Critics Association |
Nominee COFCA Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2017 |
Central Ohio Film Critics Association |
Nominee COFCA Award |
Best Score (Jóhann Jóhannsson) |
| 2017 |
Central Ohio Film Critics Association |
Nominee COFCA Award |
Best Picture |
| 2017 |
Chicago Independent Film Critics Circle Awards |
Nominee CIFCC Award |
Best Studio Film |
| 2017 |
Danish Film Awards (Robert) |
Nominee Robert |
Best American Film (Årets amerikanske film) (Denis Villeneuve) |
| 2017 |
Denver Film Critics Society |
Nominee DFCS Award |
Best Picture |
| 2017 |
Denver Film Critics Society |
Nominee DFCS Award |
Best Director (Denis Villeneuve) |
| 2017 |
Denver Film Critics Society |
Nominee DFCS Award |
Best Actress (Amy Adams) |
| 2017 |
Denver Film Critics Society |
Nominee DFCS Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2017 |
Denver Film Critics Society |
Nominee DFCS Award |
Best Visual Effects |
| 2017 |
Denver Film Critics Society |
Nominee DFCS Award |
Best Original Score (Jóhann Jóhannsson) |
| 2017 |
Directors Guild of America, USA |
Nominee DGA Award |
Outstanding Directorial Achievement in Feature Film (Denis Villeneuve) |
| 2017 |
Dragon Awards |
Nominee Dragon Award |
Best Science Fiction or Fantasy Movie (Denis Villeneuve, Eric Heisserer) |
| 2017 |
Empire Awards, UK |
Nominee Empire Award |
Best Film (FilmNation Entertainment, Paramount Pictures) |
| 2017 |
Empire Awards, UK |
Nominee Empire Award |
Best Actress (Amy Adams) |
| 2017 |
Empire Awards, UK |
Nominee Empire Award |
Best Director (Denis Villeneuve) |
| 2017 |
Empire Awards, UK |
Nominee Empire Award |
Best Screenplay (Eric Heisserer) |
| 2017 |
Empire Awards, UK |
Nominee Empire Award |
Best Sci-Fi/Fantasy (FilmNation Entertainment, Paramount Pictures) |
| 2017 |
Empire Awards, UK |
Nominee Empire Award |
Best Soundtrack (FilmNation Entertainment, Paramount Pictures) |
| 2017 |
Empire Awards, UK |
Nominee Empire Award |
Best Production Design (FilmNation Entertainment, Paramount Pictures) |
| 2017 |
GALECA: The Society of LGBTQ Entertainment Critics |
Nominee Dorian Award |
Visually Striking Film of the Year |
| 2017 |
Georgia Film Critics Association (GAFCA) |
Nominee GAFCA Award |
Best Picture |
| 2017 |
Georgia Film Critics Association (GAFCA) |
Nominee GAFCA Award |
Best Director (Denis Villeneuve) |
| 2017 |
Georgia Film Critics Association (GAFCA) |
Nominee GAFCA Award |
Best Actress (Amy Adams) |
| 2017 |
Georgia Film Critics Association (GAFCA) |
Nominee GAFCA Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2017 |
Georgia Film Critics Association (GAFCA) |
Nominee GAFCA Award |
Best Cinematography (Bradford Young) |
| 2017 |
Georgia Film Critics Association (GAFCA) |
Nominee GAFCA Award |
Best Production Design (Patrice Vermette, Isabelle Guay) |
| 2017 |
Georgia Film Critics Association (GAFCA) |
Nominee GAFCA Award |
Best Original Score (Jóhann Jóhannsson) |
| 2017 |
Gold Derby Awards |
Nominee Gold Derby Award |
Lead Actress (Amy Adams) |
| 2017 |
Gold Derby Awards |
Nominee Gold Derby Award |
Director (Denis Villeneuve) |
| 2017 |
Gold Derby Awards |
Nominee Gold Derby Award |
Adapted Screenplay (Eric Heisserer) |
| 2017 |
Gold Derby Awards |
Nominee Gold Derby Award |
Cinematography (Bradford Young) |
| 2017 |
Gold Derby Awards |
Nominee Gold Derby Award |
Sound (Bernard Gariépy Strobl, Claude La Haye, Sylvain Bellemare) |
| 2017 |
Gold Derby Awards |
Nominee Gold Derby Award |
Film Editing (Joe Walker) |
| 2017 |
Gold Derby Awards |
Nominee Gold Derby Award |
Visual Effects (Louis Morin) |
| 2017 |
Gold Derby Awards |
Nominee Gold Derby Award |
Original Score (Jóhann Jóhannsson) |
| 2017 |
Gold Derby Awards |
Nominee Gold Derby Award |
Production Design (Patrice Vermette) |
| 2017 |
Gold Derby Awards |
Nominee Gold Derby Award |
Motion Picture (Shawn Levy, Dan Levine, Aaron Ryder, David Linde) |
| 2017 |
Golden Globes, USA |
Nominee Golden Globe |
Best Performance by an Actress in a Motion Picture - Drama (Amy Adams) |
| 2017 |
Golden Globes, USA |
Nominee Golden Globe |
Best Original Score - Motion Picture (Jóhann Jóhannsson) |
| 2017 |
Golden Trailer Awards |
Nominee Golden Trailer |
Best Thriller (Sony, Wild Card) |
| 2017 |
Hawaii Film Critics Society |
Nominee HFCS Award |
Best Director (Denis Villeneuve) |
| 2017 |
Hawaii Film Critics Society |
Nominee HFCS Award |
Best Actress (Amy Adams) |
| 2017 |
Hawaii Film Critics Society |
Nominee HFCS Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2017 |
Hawaii Film Critics Society |
Nominee HFCS Award |
Best Cinematography (Bradford Young) |
| 2017 |
Hawaii Film Critics Society |
Nominee HFCS Award |
Best Editing (Joe Walker) |
| 2017 |
Hawaii Film Critics Society |
Nominee HFCS Award |
Best Art Direction (Isabelle Guay, Jean-Pierre Paquet, Robert Parle) |
| 2017 |
Houston Film Critics Society Awards |
Nominee HFCS Award |
Best Picture |
| 2017 |
Houston Film Critics Society Awards |
Nominee HFCS Award |
Best Director (Denis Villeneuve) |
| 2017 |
Houston Film Critics Society Awards |
Nominee HFCS Award |
Best Actress (Amy Adams) |
| 2017 |
Houston Film Critics Society Awards |
Nominee HFCS Award |
Best Screenplay (Eric Heisserer) |
| 2017 |
Houston Film Critics Society Awards |
Nominee HFCS Award |
Best Cinematography (Bradford Young) |
| 2017 |
Houston Film Critics Society Awards |
Nominee HFCS Award |
Best Original Score (Jóhann Jóhannsson) |
| 2017 |
Il Festival Nazionale del Doppiaggio Voci nell'Ombra |
Nominee Film Award |
Best Female Voice (Barbara De Bortoli) |
| 2017 |
International Cinephile Society Awards |
Nominee ICS Award |
Best Editing (Joe Walker) |
| 2017 |
International Film Music Critics Award (IFMCA) |
Nominee IFMCA Award |
Best Original Score for a Fantasy/Science Fiction/Horror Film (Jóhann Jóhannsson) |
| 2017 |
International Online Cinema Awards (INOCA) |
Nominee INOCA |
Best Picture |
| 2017 |
International Online Cinema Awards (INOCA) |
Nominee INOCA |
Best Actress (Amy Adams) |
| 2017 |
International Online Cinema Awards (INOCA) |
Nominee INOCA |
Best Adapted Screenplay (Eric Heisserer) |
| 2017 |
International Online Cinema Awards (INOCA) |
Nominee INOCA |
Best Visual Effects (Louis Morin) |
| 2017 |
Irish Film and Television Awards |
Nominee IFTA Award |
Best International Actress (Amy Adams) |
| 2017 |
London Critics Circle Film Awards |
Nominee ALFS Award |
Actress of the Year (Amy Adams) |
| 2017 |
London Critics Circle Film Awards |
Nominee ALFS Award |
Technical Achievement of the Year (Sylvain Bellemare) |
| 2017 |
Motion Picture Sound Editors, USA |
Nominee Golden Reel Award |
Best Sound Editing - Dialogue and ADR in a Feature Film (Sylvain Bellemare, Stan Sakellaropoulos, Claire Pochon, Valéry Dufort-Boucher) |
| 2017 |
Motion Picture Sound Editors, USA |
Nominee Golden Reel Award |
Best Sound Editing - Sound Effects and Foley in a Feature Film (Sylvain Bellemare, Nicolas Becker, Gregory Vincent, Dave Whitehead, Olivier Calvert, Michelle Child, Pierre-Jules Audet, Alan Robert Murray, Mathieu Beaudin, Mimi Allard, Daniel Capeille, Simon Girard, Patrick Rioux, Steven Ghouti, Olivier Guillaume, Niels Barletta, Luc Raymond) |
| 2017 |
Motion Picture Sound Editors, USA |
Nominee Golden Reel Award |
Best Sound Editing - Music in a Feature Film (Clint Bennett) |
| 2017 |
North Carolina Film Critics Association |
Nominee NCFCA Award |
Best Narrative Film |
| 2017 |
North Carolina Film Critics Association |
Nominee NCFCA Award |
Best Cinematography (Bradford Young) |
| 2017 |
North Carolina Film Critics Association |
Nominee NCFCA Award |
Best Special Effects |
| 2017 |
Oklahoma Film Critics Circle Awards |
Nominee OFCC Award |
Best Film |
| 2017 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Actress (Amy Adams) |
| 2017 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Picture (Dan Levine, Shawn Levy, David Linde, Aaron Ryder) |
| 2017 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Director (Denis Villeneuve) |
| 2017 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Writing, Screenplay Based on Material from Another Medium (Eric Heisserer) |
| 2017 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Film Editing (Joe Walker) |
| 2017 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Cinematography (Bradford Young) |
| 2017 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Production Design (Patrice Vermette, Paul Hotte) |
| 2017 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Sound Effects Editing (Sylvain Bellemare) |
| 2017 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Visual Effects (Louis Morin) |
| 2017 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Music, Original Score (Jóhann Jóhannsson) |
| 2017 |
Online Film Critics Society Awards |
Nominee OFCS Award |
Best Picture |
| 2017 |
Online Film Critics Society Awards |
Nominee OFCS Award |
Best Director (Denis Villeneuve) |
| 2017 |
Online Film Critics Society Awards |
Nominee OFCS Award |
Best Actress (Amy Adams) |
| 2017 |
Online Film Critics Society Awards |
Nominee OFCS Award |
Best Editing (Joe Walker) |
| 2017 |
Online Film Critics Society Awards |
Nominee OFCS Award |
Best Cinematography (Bradford Young) |
| 2017 |
PGA Awards |
Nominee PGA Award |
Outstanding Producer of Theatrical Motion Pictures (David Linde, Aaron Ryder, Shawn Levy, Dan Levine) |
| 2017 |
Sant Jordi Awards |
Nominee Sant Jordi |
Best Foreign Film (Mejor Película Extranjera) (Denis Villeneuve) |
| 2017 |
Screen Actors Guild Awards |
Nominee Actor |
Outstanding Performance by a Female Actor in a Leading Role (Amy Adams) |
| 2017 |
Seattle Film Critics Society |
Nominee SFCS Award |
Best Actress (Amy Adams) |
| 2017 |
Teen Choice Awards |
Nominee Teen Choice Award |
Choice Movie Actor: Sci-Fi (Jeremy Renner) |
| 2017 |
Teen Choice Awards |
Nominee Teen Choice Award |
Choice Movie: Sci-Fi (Paramount Pictures) |
| 2017 |
Teen Choice Awards |
Nominee Teen Choice Award |
Choice Movie Actress: Sci-Fi (Amy Adams) |
| 2017 |
USC Scripter Award |
Nominee USC Scripter Award |
Film (Eric Heisserer, Ted Chiang) |
| 2017 |
World Soundtrack Awards |
Nominee Public Choice Award |
(Jóhann Jóhannsson) |
| 2016 |
Austin Film Critics Association |
Nominee AFCA Award |
Best Film |
| 2016 |
Austin Film Critics Association |
Nominee AFCA Award |
Best Director (Denis Villeneuve) |
| 2016 |
Austin Film Critics Association |
Nominee AFCA Award |
Best Actress (Amy Adams) |
| 2016 |
Austin Film Critics Association |
Nominee AFCA Award |
Best Cinematography (Bradford Young) |
| 2016 |
Austin Film Critics Association |
Nominee AFCA Award |
Best Score (Jóhann Jóhannsson) |
| 2016 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Motion Picture (Dan Levine, Shawn Levy, David Linde, Karen Lunder, Aaron Ryder) |
| 2016 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Director (Denis Villeneuve) |
| 2016 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Actress in a Leading Role (Amy Adams) |
| 2016 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Cinematography (Bradford Young) |
| 2016 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Production Design (Patrice Vermette) |
| 2016 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Achievement in Sound (Bernard Gariépy Strobl, Claude La Haye, Sylvain Bellemare) |
| 2016 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Film Editing (Joe Walker) |
| 2016 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Original Score (Jóhann Jóhannsson) |
| 2016 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Visual Effects (Louis Morin) |
| 2016 |
Black Film Critics Circle Awards |
Nominee BFCC Award |
Best Picture |
| 2016 |
British Society of Cinematographers |
Nominee BSC Award |
Best Cinematography in a Theatrical Feature Film (Bradford Young) |
| 2016 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Picture |
| 2016 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Actress (Amy Adams) |
| 2016 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Director (Denis Villeneuve) |
| 2016 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Cinematography (Bradford Young) |
| 2016 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Production Design (Patrice Vermette, Paul Hotte, André Valade) |
| 2016 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Editing (Joe Walker) |
| 2016 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Visual Effects |
| 2016 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Score (Jóhann Jóhannsson) |
| 2016 |
Camerimage |
Nominee Golden Frog |
Main Competition (Bradford Young) |
| 2016 |
Chicago Film Critics Association Awards |
Nominee CFCA Award |
Best Actress (Amy Adams) |
| 2016 |
Chicago Film Critics Association Awards |
Nominee CFCA Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2016 |
Chicago Film Critics Association Awards |
Nominee CFCA Award |
Best Original Score (Jóhann Jóhannsson) |
| 2016 |
Dallas-Fort Worth Film Critics Association Awards |
Nominee DFWFCA Award |
Best Picture |
| 2016 |
Dallas-Fort Worth Film Critics Association Awards |
Nominee DFWFCA Award |
Best Actress (Amy Adams) |
| 2016 |
Dallas-Fort Worth Film Critics Association Awards |
Nominee DFWFCA Award |
Best Director (Denis Villeneuve) |
| 2016 |
Detroit Film Critics Society Awards |
Nominee DFCS Award |
Best Actress (Amy Adams) |
| 2016 |
Detroit Film Critics Society Awards |
Nominee DFCS Award |
Best Screenplay (Eric Heisserer) |
| 2016 |
Dublin Film Critics Circle Awards |
Nominee DFCC |
Best Film |
| 2016 |
Dublin Film Critics Circle Awards |
Nominee DFCC |
Best Cinematography (Bradford Young) |
| 2016 |
Faro Island Film Festival |
Nominee Audience Award |
Best Film (Denis Villeneuve) |
| 2016 |
Faro Island Film Festival |
Nominee Golden Train Award |
Best Film (Denis Villeneuve) |
| 2016 |
Florida Film Critics Circle Awards |
Nominee FFCC Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2016 |
Florida Film Critics Circle Awards |
Nominee FFCC Award |
Best Cinematography (Bradford Young) |
| 2016 |
Florida Film Critics Circle Awards |
Nominee FFCC Award |
Best Art Direction/Production Design (Patrice Vermette, Paul Hotte, André Valade) |
| 2016 |
Florida Film Critics Circle Awards |
Nominee FFCC Award |
Best Score (Jóhann Jóhannsson) |
| 2016 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Favorite Movie of the Year |
| 2016 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Director of the Year (Denis Villeneuve) |
| 2016 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Screenplay of the Year (Eric Heisserer) |
| 2016 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Trippiest Movie of the Year |
| 2016 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Special Effects of the Year |
| 2016 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Music in a Movie |
| 2016 |
Hollywood Music In Media Awards (HMMA) |
Nominee HMMA Award |
Best Original Score - Sci-Fi/Fantasy Film (Jóhann Jóhannsson) |
| 2016 |
IGN Summer Movie Awards |
Nominee IGN Award |
Best Movie |
| 2016 |
IGN Summer Movie Awards |
Nominee IGN Award |
Best Movie Actress (Amy Adams) |
| 2016 |
IGN Summer Movie Awards |
Nominee IGN Award |
Best Director (Denis Villeneuve) |
| 2016 |
IGN Summer Movie Awards |
Nominee IGN Award |
Best Visual Effects |
| 2016 |
Indiana Film Journalists Association, US |
Nominee IFJA Award |
Best Picture |
| 2016 |
Indiana Film Journalists Association, US |
Nominee IFJA Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2016 |
Indiana Film Journalists Association, US |
Nominee IFJA Award |
Best Actress (Amy Adams) |
| 2016 |
Indiewire Critics' Poll |
Nominee ICP Award |
Best Film |
| 2016 |
Indiewire Critics' Poll |
Nominee ICP Award |
Best Director (Denis Villeneuve) |
| 2016 |
Indiewire Critics' Poll |
Nominee ICP Award |
Best Lead Actress (Amy Adams) |
| 2016 |
Indiewire Critics' Poll |
Nominee ICP Award |
Best Screenplay (Eric Heisserer) |
| 2016 |
Indiewire Critics' Poll |
Nominee ICP Award |
Best Original Score or Soundtrack (Jóhann Jóhannsson) |
| 2016 |
Indiewire Critics' Poll |
Nominee ICP Award |
Best Cinematography (Bradford Young) |
| 2016 |
Indiewire Critics' Poll |
Nominee ICP Award |
Best Editing (Joe Walker) |
| 2016 |
Kansas City Film Critics Circle Awards |
Nominee KCFCC Award |
Best Film |
| 2016 |
Las Vegas Film Critics Society Awards |
Nominee Sierra Award |
Best Actress (Amy Adams) |
| 2016 |
Las Vegas Film Critics Society Awards |
Nominee Sierra Award |
Best Screenplay, Adapted (Eric Heisserer) |
| 2016 |
Las Vegas Film Critics Society Awards |
Nominee Sierra Award |
Best Cinematography (Bradford Young) |
| 2016 |
Las Vegas Film Critics Society Awards |
Nominee Sierra Award |
Best Art Direction (Patrice Vermette, Paul Hotte) |
| 2016 |
Las Vegas Film Critics Society Awards |
Nominee Sierra Award |
Best Film Editing (Joe Walker) |
| 2016 |
Las Vegas Film Critics Society Awards |
Nominee Sierra Award |
Best Visual Effects |
| 2016 |
Las Vegas Film Critics Society Awards |
Nominee Sierra Award |
Best Score (Jóhann Jóhannsson) |
| 2016 |
Las Vegas Film Critics Society Awards |
Nominee Sierra Award |
Best Horror/Sci-Fi Film |
| 2016 |
North Texas Film Critics Association, US |
Nominee NTFCA Award |
Best Picture |
| 2016 |
North Texas Film Critics Association, US |
Nominee NTFCA Award |
Best Actress (Amy Adams) |
| 2016 |
North Texas Film Critics Association, US |
Nominee NTFCA Award |
Best Director (Denis Villeneuve) |
| 2016 |
North Texas Film Critics Association, US |
Nominee NTFCA Award |
Best Cinematography (Bradford Young) |
| 2016 |
Phoenix Critics Circle |
Nominee PCC Award |
Best Picture |
| 2016 |
Phoenix Critics Circle |
Nominee PCC Award |
Best Actress (Amy Adams) |
| 2016 |
Phoenix Critics Circle |
Nominee PCC Award |
Best Director (Denis Villeneuve) |
| 2016 |
Phoenix Critics Circle |
Nominee PCC Award |
Best Screenplay (Eric Heisserer) |
| 2016 |
Phoenix Critics Circle |
Nominee PCC Award |
Best Score (Jóhann Jóhannsson) |
| 2016 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Picture |
| 2016 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Actress in a Leading Role (Amy Adams) |
| 2016 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Screenplay Adapted from Other Material (Eric Heisserer) |
| 2016 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Original Score (Jóhann Jóhannsson) |
| 2016 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Cinematography (Bradford Young) |
| 2016 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Visual Effects |
| 2016 |
Rondo Hatton Classic Horror Awards |
Nominee Rondo Statuette |
Best Movie |
| 2016 |
San Diego Film Critics Society Awards |
Nominee SDFCS Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2016 |
San Diego Film Critics Society Awards |
Nominee SDFCS Award |
Best Editing (Joe Walker) |
| 2016 |
San Diego Film Critics Society Awards |
Nominee SDFCS Award |
Best Cinematography (Bradford Young) |
| 2016 |
San Diego Film Critics Society Awards |
Nominee SDFCS Award |
Best Production Design (Patrice Vermette) |
| 2016 |
San Diego Film Critics Society Awards |
Nominee SDFCS Award |
Best Visual Effects |
| 2016 |
San Francisco Film Critics Circle |
Nominee SFFCC Award |
Best Picture |
| 2016 |
San Francisco Film Critics Circle |
Nominee SFFCC Award |
Best Director (Denis Villeneuve) |
| 2016 |
San Francisco Film Critics Circle |
Nominee SFFCC Award |
Best Actress (Amy Adams) |
| 2016 |
San Francisco Film Critics Circle |
Nominee SFFCC Award |
Best Cinematography (Bradford Young) |
| 2016 |
San Francisco Film Critics Circle |
Nominee SFFCC Award |
Best Production Design (Patrice Vermette) |
| 2016 |
San Francisco Film Critics Circle |
Nominee SFFCC Award |
Best Original Score (Jóhann Jóhannsson) |
| 2016 |
Southeastern Film Critics Association Awards |
Nominee SEFCA Award |
Best Picture |
| 2016 |
Southeastern Film Critics Association Awards |
Nominee SEFCA Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2016 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Film |
| 2016 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Actress (Amy Adams) |
| 2016 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Cinematography (Bradford Young) |
| 2016 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Visual Effects (Ivan Moran, Jean-François Ferland, Joseph Kasparian, Alexandre Lafortune) |
| 2016 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Score (Jóhann Jóhannsson) |
| 2016 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Horror/Sci-Fi Film |
| 2016 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Director (Denis Villeneuve) |
| 2016 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2016 |
Turkish Film Critics Association (SIYAD) Awards |
Nominee SIYAD Award |
Best Foreign Film |
| 2016 |
Utah Film Critics Association Awards |
Nominee UFCA Award |
Best Adapted Screenplay (Eric Heisserer) |
| 2016 |
Utah Film Critics Association Awards |
Nominee UFCA Award |
Best Cinematography (Bradford Young) |
| 2016 |
Utah Film Critics Association Awards |
Nominee UFCA Award |
Best Original Score (Jóhann Jóhannsson) |
| 2016 |
Vancouver Film Critics Circle |
Nominee VFCC Award |
Best Actress (Amy Adams) |
| 2016 |
Vancouver Film Critics Circle |
Nominee VFCC Award |
Best Director (Denis Villeneuve) |
| 2016 |
Venice Film Festival |
Nominee Golden Lion |
Best Film (Denis Villeneuve) |
| 2016 |
Washington DC Area Film Critics Association Awards |
Nominee WAFCA Award |
Best Film |
| 2016 |
Washington DC Area Film Critics Association Awards |
Nominee WAFCA Award |
Best Director (Denis Villeneuve) |
| 2016 |
Washington DC Area Film Critics Association Awards |
Nominee WAFCA Award |
Best Actress (Amy Adams) |
| 2016 |
Washington DC Area Film Critics Association Awards |
Nominee WAFCA Award |
Best Cinematography (Bradford Young) |
| 2016 |
Washington DC Area Film Critics Association Awards |
Nominee WAFCA Award |
Best Editing (Joe Walker) |
| 2016 |
Washington DC Area Film Critics Association Awards |
Nominee WAFCA Award |
Best Original Score (Jóhann Jóhannsson) |
| 2016 |
Washington DC Area Film Critics Association Awards |
Nominee WAFCA Award |
Best Production Design (Patrice Vermette, Paul Hotte) |
