| 2020 |
Gold Derby Awards |
Nominee Gold Derby Award |
Cinematography of the Decade (Roger Deakins) |
| 2020 |
Gold Derby Awards |
Nominee Gold Derby Award |
Production Design of the Decade (Dennis Gassner, Alessandra Querzola) |
| 2020 |
Gold Derby Awards |
Nominee Gold Derby Award |
Visual Effects of the Decade (John Nelson, Gerd Nefzer, Paul Lambert, Richard R. Hoover) |
| 2019 |
Grammy Awards |
Nominee Grammy |
Best Score Soundtrack for Visual Media (Benjamin Wallfisch, Hans Zimmer) |
| 2018 |
Academy Awards, USA |
Nominee Oscar |
Best Achievement in Sound Editing (Mark A. Mangini, Theo Green) |
| 2018 |
Academy Awards, USA |
Nominee Oscar |
Best Achievement in Sound Mixing (Ron Bartlett, Doug Hemphill, Mac Ruth) |
| 2018 |
Academy Awards, USA |
Nominee Oscar |
Best Achievement in Production Design (Dennis Gassner, Alessandra Querzola) |
| 2018 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Director (Denis Villeneuve) |
| 2018 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Writing (Hampton Fancher, Michael Green) |
| 2018 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Actor (Ryan Gosling) |
| 2018 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Supporting Actor (Harrison Ford) |
| 2018 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Supporting Actress (Ana de Armas) |
| 2018 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Production Design (Dennis Gassner) |
| 2018 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Make-Up (Donald Mowat) |
| 2018 |
Academy of Science Fiction, Fantasy & Horror Films, USA |
Nominee Saturn Award |
Best Special Effects (John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer) |
| 2018 |
American Cinema Editors, USA |
Nominee Eddie |
Best Edited Feature Film - Dramatic (Joe Walker) |
| 2018 |
Association of Motion Picture Sound (AMPS) |
Nominee AMPS Feature Film Award |
Excellence in Sound for a Feature Film (Mac Ruth, Mark A. Mangini, Ron Bartlett) |
| 2018 |
Austin Film Critics Association |
Nominee AFCA Award |
Best Director (Denis Villeneuve) |
| 2018 |
Austin Film Critics Association |
Nominee AFCA Award |
Best Score (Benjamin Wallfisch, Hans Zimmer) |
| 2018 |
BAFTA Awards |
Nominee BAFTA Film Award |
Best Production Design (Alessandra Querzola, Dennis Gassner) |
| 2018 |
BAFTA Awards |
Nominee BAFTA Film Award |
Original Music (Benjamin Wallfisch, Hans Zimmer) |
| 2018 |
BAFTA Awards |
Nominee BAFTA Film Award |
Best Sound (Ron Bartlett, Doug Hemphill, Mark A. Mangini, Mac Ruth, Theo Green) |
| 2018 |
BAFTA Awards |
Nominee BAFTA Film Award |
Best Editing (Joe Walker) |
| 2018 |
BAFTA Awards |
Nominee BAFTA Film Award |
Best Make Up/Hair (Donald Mowat, Kerry Warn) |
| 2018 |
BAFTA Awards |
Nominee David Lean Award for Direction |
(Denis Villeneuve) |
| 2018 |
Bodil Awards |
Nominee Bodil |
Best American Film (Bedste amerikanske film) (Denis Villeneuve) |
| 2018 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Sci-Fi/Horror Movie |
| 2018 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Costume Design (Renée April) |
| 2018 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Visual Effects |
| 2018 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Production Design (Dennis Gassner, Alessandra Querzola) |
| 2018 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Score (Benjamin Wallfisch, Hans Zimmer) |
| 2018 |
Broadcast Film Critics Association Awards |
Nominee Critics Choice Award |
Best Editing (Joe Walker) |
| 2018 |
Cinema Brazil Grand Prize |
Nominee Cinema Brazil Grand Prize |
Best Foreign-Language Film (Melhor Filme Estrangeiro) (Denis Villeneuve) |
| 2018 |
CinEuphoria Awards |
Nominee CinEuphoria |
Best Original Music - International Competition (Benjamin Wallfisch, Hans Zimmer) |
| 2018 |
Columbus Film Critics Association |
Nominee COFCA Award |
Best Film Editing (Joe Walker) |
| 2018 |
Columbus Film Critics Association |
Nominee COFCA Award |
Best Film |
| 2018 |
Columbus Film Critics Association |
Nominee COFCA Award |
Best Score (Benjamin Wallfisch, Hans Zimmer) |
| 2018 |
Costume Designers Guild Awards |
Nominee CDG Award |
Excellence in Sci-Fi/Fantasy Film (Renée April) |
| 2018 |
Danish Film Awards (Robert) |
Nominee Robert |
Best American Film (Årets amerikanske film) (Denis Villeneuve) |
| 2018 |
Denver Film Critics Society |
Nominee DFCS Award |
Best Original Score (Benjamin Wallfisch, Hans Zimmer) |
| 2018 |
Denver Film Critics Society |
Nominee DFCS Award |
Best Science-Fiction/Horror Film |
| 2018 |
Denver Film Critics Society |
Nominee DFCS Award |
Best Visual Effects |
| 2018 |
Dragon Awards |
Nominee Dragon Award |
Best Science Fiction or Fantasy Movie (Denis Villeneuve, Hampton Fancher, Michael Green) |
| 2018 |
Empire Awards, UK |
Nominee Empire Award |
Best Sci-Fi/Fantasy |
| 2018 |
Faro Island Film Festival |
Nominee Golden Carp Film Award - International |
Best Motion Picture of the Year |
| 2018 |
Faro Island Film Festival |
Nominee Golden Carp Film Award - International |
Best Achievement in Directing (Denis Villeneuve) |
| 2018 |
Faro Island Film Festival |
Nominee Golden Carp Film Award - International |
Best Production Design (Dennis Gassner, Alessandra Querzola) |
| 2018 |
Faro Island Film Festival |
Nominee Golden Carp Film Award - International |
Best Visual And Sound Effects |
| 2018 |
GALECA: The Society of LGBTQ Entertainment Critics |
Nominee Dorian Award |
Visually Striking Film of the Year |
| 2018 |
Georgia Film Critics Association (GAFCA) |
Nominee GAFCA Award |
Best Cinematography (Roger Deakins) |
| 2018 |
Georgia Film Critics Association (GAFCA) |
Nominee GAFCA Award |
Best Original Score (Benjamin Wallfisch, Hans Zimmer) |
| 2018 |
Gold Derby Awards |
Nominee Gold Derby Award |
Motion Picture (Broderick Johnson, Andrew A. Kosove, Cynthia Sikes, Bud Yorkin) |
| 2018 |
Gold Derby Awards |
Nominee Gold Derby Award |
Adapted Screenplay (Hampton Fancher, Michael Green) |
| 2018 |
Gold Derby Awards |
Nominee Gold Derby Award |
Costume Design (Renée April) |
| 2018 |
Gold Derby Awards |
Nominee Gold Derby Award |
Film Editing (Joe Walker) |
| 2018 |
Gold Derby Awards |
Nominee Gold Derby Award |
Production Design (Dennis Gassner, Alessandra Querzola) |
| 2018 |
Gold Derby Awards |
Nominee Gold Derby Award |
Original Score (Benjamin Wallfisch, Hans Zimmer) |
| 2018 |
Gold Derby Awards |
Nominee Gold Derby Award |
Sound (Ron Bartlett, Doug Hemphill, Mac Ruth, Mark A. Mangini, Theo Green) |
| 2018 |
Golden Trailer Awards |
Nominee Golden Trailer |
Best Fantasy / Adventure Poster (Warner Bros., Works ADV) |
| 2018 |
Golden Trailer Awards |
Nominee Golden Trailer |
Best Wildposts (Teaser Campaign) (Warner Bros., Concept Arts Studios) |
| 2018 |
Hawaii Film Critics Society |
Nominee HFCS Award |
Best Adapted Screenplay (Hampton Fancher, Michael Green) |
| 2018 |
Hawaii Film Critics Society |
Nominee HFCS Award |
Best Makeup (Donald Mowat) |
| 2018 |
Hawaii Film Critics Society |
Nominee HFCS Award |
Best Editing (Joe Walker) |
| 2018 |
Hollywood Makeup Artist and Hair Stylist Guild Awards |
Nominee Artisan |
Best Period and/or Character Makeup - Feature-Length Motion Picture (Donald Mowat, Jo-Ann MacNeil, Csilla Blake-Horváth) |
| 2018 |
Hollywood Makeup Artist and Hair Stylist Guild Awards |
Nominee Artisan |
Best Period and/or Character Hair Styling - Feature-Length Motion Picture (Kerry Warn, Lizzie Lawson, Jaime Leigh McIntosh) |
| 2018 |
Hollywood Post Alliance, US |
Nominee HPA Awards |
Outstanding Sound - Feature Film (Mark A. Mangini, Theo Green, Mac Ruth, Ron Bartlett, Doug Hemphill, Formosa Group) |
| 2018 |
Hollywood Post Alliance, US |
Nominee HPA Awards |
Outstanding Visual Effects - Feature Film (Richard Clegg, Wesley Chandler, Axel Akesson, Stefano Carta, Ian Cooke-Grimes, MPC) |
| 2018 |
Houston Film Critics Society Awards |
Nominee HFCS Award |
Best Original Score (Benjamin Wallfisch, Hans Zimmer) |
| 2018 |
Hugo Awards |
Nominee Hugo |
Best Dramatic Presentation - Long Form (Hampton Fancher, Michael Green, Denis Villeneuve) |
| 2018 |
International Cinephile Society Awards |
Nominee ICS Award |
Best Director (Denis Villeneuve) |
| 2018 |
International Cinephile Society Awards |
Nominee ICS Award |
Best Picture |
| 2018 |
International Online Cinema Awards (INOCA) |
Nominee INOCA |
Best Adapted Screenplay (Hampton Fancher, Michael Green) |
| 2018 |
International Online Cinema Awards (INOCA) |
Nominee INOCA |
Best Sound Mixing (Ron Bartlett, Doug Hemphill, Mac Ruth) |
| 2018 |
Motion Picture Sound Editors, USA |
Nominee Golden Reel Award |
Outstanding Achievement in Sound Editing - Music Score for Feature Film (Clint Bennett, Ryan Rubin, Del Spiva) |
| 2018 |
Motion Picture Sound Editors, USA |
Nominee Golden Reel Award |
Outstanding Achievement in Sound Editing - Dialogue and ADR for Feature Film (Mark A. Mangini, Byron Wilson, Michael Hertlein) |
| 2018 |
North Carolina Film Critics Association |
Nominee NCFCA Award |
Best Special Effects |
| 2018 |
Oklahoma Film Critics Circle Awards |
Nominee OFCC Award |
Best Film |
| 2018 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Picture (Andrew A. Kosove, Broderick Johnson, Bud Yorkin, Cynthia Sikes) |
| 2018 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Music, Original Score (Hans Zimmer, Benjamin Wallfisch) |
| 2018 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Film Editing (Joe Walker) |
| 2018 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Costume Design (Renée April) |
| 2018 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Sound Mixing (Ron Bartlett, Doug Hemphill, Mac Ruth) |
| 2018 |
Online Film & Television Association |
Nominee OFTA Film Award |
Best Movie Trailer |
| 2018 |
Sant Jordi Awards |
Nominee Sant Jordi |
Best Foreign Film (Mejor Película Extranjera) (Denis Villeneuve) |
| 2018 |
Satellite Awards |
Nominee Satellite Award |
Best Sound (Editing & Mixing) |
| 2018 |
Satellite Awards |
Nominee Satellite Award |
Best Art Direction & Production Design |
| 2018 |
Teen Choice Awards |
Nominee Teen Choice Award |
Choice Movie: Sci-Fi |
| 2018 |
Teen Choice Awards |
Nominee Teen Choice Award |
Choice Movie Actor: Sci-Fi (Ryan Gosling) |
| 2018 |
Visual Effects Society Awards |
Nominee VES Award |
Outstanding Visual Effects in a Photoreal Feature (John Nelson, Karen M. Murphy, Paul Lambert, Richard R. Hoover, Gerd Nefzer) |
| 2018 |
Visual Effects Society Awards |
Nominee VES Award |
Outstanding Animated Character in a Photoreal Feature (Axel Akesson, Stefano Carta, Wesley Chandler, Ian Cooke-Grimes) |
| 2018 |
Visual Effects Society Awards |
Nominee VES Award |
Outstanding Created Environment in a Photoreal Feature (Didier Muenza, Thomas Gillet, Guillaume Mainville, Sylvain Lorgeou) |
| 2018 |
Visual Effects Society Awards |
Nominee VES Award |
Outstanding Created Environment in a Photoreal Feature (Eric Noel, Arnaud Saibron, Adam Goldstein, Pascal Clement) |
| 2018 |
Visual Effects Society Awards |
Nominee VES Award |
Outstanding Compositing in a Photoreal Feature (Tristan Myles, Miles Lauridsen, Joel Delle-Vergin, Farhad Mohasseb) |
| 2017 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Motion Picture (Andrew A. Kosove, Broderick Johnson, Bud Yorkin, Cynthia Sikes) |
| 2017 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Director (Denis Villeneuve) |
| 2017 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Achievement in Sound (Ron Bartlett, Doug Hemphill, Mac Ruth, Mark A. Mangini, Theo Green) |
| 2017 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Film Editing (Joe Walker) |
| 2017 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Original Score (Hans Zimmer, Benjamin Wallfisch) |
| 2017 |
Awards Circuit Community Awards |
Nominee ACCA |
Best Stunt Ensemble |
| 2017 |
Black Film Critics Circle Awards |
Nominee BFCC Award |
Best Picture |
| 2017 |
Boston Society of Film Critics Awards |
Nominee BSFC Award |
Best Cinematography (Roger Deakins) |
| 2017 |
Chicago Film Critics Association Awards |
Nominee CFCA Award |
Best Adapted Screenplay (Hampton Fancher, Michael Green) |
| 2017 |
Chicago Film Critics Association Awards |
Nominee CFCA Award |
Best Original Score (Benjamin Wallfisch, Hans Zimmer) |
| 2017 |
Chicago Independent Film Critics Circle Awards |
Nominee CIFCC Award |
Best Studio Film |
| 2017 |
Chicago Independent Film Critics Circle Awards |
Nominee CIFCC Award |
Best Production Design (Dennis Gassner) |
| 2017 |
Chicago Independent Film Critics Circle Awards |
Nominee CIFCC Award |
Best Visual Effects (Richard Clegg, Paul Lambert, Viktor Muller, John Nelson) |
| 2017 |
Dallas-Fort Worth Film Critics Association Awards |
Nominee DFWFCA Award |
Best Cinematography (Roger Deakins) |
| 2017 |
Detroit Film Critics Society Awards |
Nominee DFCS Award |
Best Use of Music |
| 2017 |
Dublin Film Critics Circle Awards |
Nominee DFCC |
Best Film |
| 2017 |
Dublin Film Critics Circle Awards |
Nominee DFCC |
Best Director (Denis Villeneuve) |
| 2017 |
Dublin Film Critics Circle Awards |
Nominee DFCC |
Best Actor (Ryan Gosling) |
| 2017 |
Dublin Film Critics Circle Awards |
Nominee DFCC |
Best Screenplay (Hampton Fancher, Michael Green) |
| 2017 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Favorite Movie of the Year |
| 2017 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Director of the Year (Denis Villeneuve) |
| 2017 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Trailer of the Year |
| 2017 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best T&A of the Year (Ana de Armas) |
| 2017 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Music in a Movie |
| 2017 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Best Special Effects of the Year |
| 2017 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Trippiest Movie of the Year |
| 2017 |
Golden Schmoes Awards |
Nominee Golden Schmoes |
Favorite Movie Poster of the Year |
| 2017 |
Hollywood Music In Media Awards (HMMA) |
Nominee HMMA Award |
Best Original Score - Sci-Fi/Fantasy Film (Benjamin Wallfisch, Hans Zimmer) |
| 2017 |
Indiana Film Journalists Association, US |
Nominee IFJA Award |
Best Picture |
| 2017 |
Indiana Film Journalists Association, US |
Nominee IFJA Award |
Best Adapted Screenplay (Hampton Fancher, Michael Green) |
| 2017 |
Indiana Film Journalists Association, US |
Nominee IFJA Award |
Best Musical Score (Hans Zimmer, Benjamin Wallfisch) |
| 2017 |
Los Angeles Film Critics Association Awards |
Nominee LAFCA Award |
Best Cinematography (Roger Deakins) |
| 2017 |
Los Angeles Online Film Critics Society Awards |
Nominee LAOFCS Award |
Best Score (Benjamin Wallfisch, Hans Zimmer) |
| 2017 |
Los Angeles Online Film Critics Society Awards |
Nominee LAOFCS Award |
Best Sci-Fi/Horror Film |
| 2017 |
Los Angeles Online Film Critics Society Awards |
Nominee LAOFCS Award |
Best Visual Effects |
| 2017 |
New Mexico Film Critics |
Nominee NMFC Award |
Best Director (Denis Villeneuve) |
| 2017 |
New Mexico Film Critics |
Nominee NMFC Award |
Best Editing (Joe Walker) |
| 2017 |
North Texas Film Critics Association, US |
Nominee NTFCA Award |
Best Director (Denis Villeneuve) |
| 2017 |
Odyssey Awards |
Nominee Odyssey Award |
Best Lead Actor (Ryan Gosling) |
| 2017 |
Odyssey Awards |
Nominee Odyssey Award |
Best Support Actress (Ana de Armas) |
| 2017 |
Phoenix Critics Circle |
Nominee PCC Award |
Best Score (Benjamin Wallfisch, Hans Zimmer) |
| 2017 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Picture |
| 2017 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Screenplay Adapted from Other Material (Hampton Fancher, Michael Green) |
| 2017 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Film Editing (Joe Walker) |
| 2017 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Production Design (Dennis Gassner) |
| 2017 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Costume Design (Renée April) |
| 2017 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Original Score (Hans Zimmer, Benjamin Wallfisch) |
| 2017 |
Phoenix Film Critics Society Awards |
Nominee PFCS Award |
Best Visual Effects |
| 2017 |
Rondo Hatton Classic Horror Awards |
Nominee Rondo Statuette |
Best Film (Denis Villeneuve) |
| 2017 |
San Diego Film Critics Society Awards |
Nominee SDFCS Award |
Best Cinematography (Roger Deakins) |
| 2017 |
San Diego Film Critics Society Awards |
Nominee SDFCS Award |
Best Production Design (Alessandra Querzola, Dennis Gassner) |
| 2017 |
San Diego Film Critics Society Awards |
Nominee SDFCS Award |
Best Visual Effects |
| 2017 |
San Francisco Film Critics Circle |
Nominee SFFCC Award |
Best Production Design (Dennis Gassner) |
| 2017 |
San Francisco Film Critics Circle |
Nominee SFFCC Award |
Best Film Editing (Joe Walker) |
| 2017 |
San Francisco Film Critics Circle |
Nominee SFFCC Award |
Best Original Score (Hans Zimmer, Benjamin Wallfisch) |
| 2017 |
Southeastern Film Critics Association Awards |
Nominee SEFCA Award |
Best Cinematography (Roger Deakins) |
| 2017 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Director (Denis Villeneuve) |
| 2017 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Production Design (Dennis Gassner) |
| 2017 |
St. Louis Film Critics Association, US |
Nominee SLFCA Award |
Best Score (Benjamin Wallfisch, Hans Zimmer) |
| 2017 |
Turkish Film Critics Association (SIYAD) Awards |
Nominee SIYAD Award |
Best Foreign Film |
| 2017 |
Utah Film Critics Association Awards |
Nominee UFCA Award |
Best Original Score (Hans Zimmer, Benjamin Wallfisch) |
| 2017 |
Washington DC Area Film Critics Association Awards |
Nominee WAFCA Award |
Best Adapted Screenplay (Hampton Fancher, Michael Green) |
| 2017 |
Washington DC Area Film Critics Association Awards |
Nominee WAFCA Award |
Best Editing (Joe Walker) |
